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Tabula iliaca
A Tabula Iliaca ("Iliadic table") is a generic label for a calculation of the days of the ''Iliad,'' probably by Zenodotus, of which twenty-two fragmentary examples are now known. The ''Tabulae Iliacae'' are ''pinakes'' of early Imperial date, which all seem to have come from two Roman workshops, one of which seems to have been designed to satisfy a clientele of more modest aspirations.〔Anna Sadurska ''Les tables iliaques'' (Warsaw, 1964), esp. p. 11.〕
==Description of tablets==
The term is conventionally applied to some twenty-one〔Sadurska 1964 carefully catalogued a corpus of nineteen ''tabulae''; two more had been added to the list by 1985, according to W. McLeod, "The 'Epic Canon' of the Borgia Table: Hellenistic Lore or Roman Fraud?" ''Transactions of the American Philological Association'' 11 (1985), pp. 153-65.〕 marble panels carved in very low relief in miniature rectangles with labeling inscriptions typically surrounding a larger central relief〔The Second Verona Table (Sadurska's 9D, was bordered with two rows of panels.〕 and short engraved texts on the obverse. Little can be said about their sizes, since none survives complete. It appears that the largest rectangular tablet is 25 cm by 42 cm. The border scenes, where they can be identified, are largely derived from the Epic Cycle; eleven of the small marble tablets are small pictorial representations of the Trojan War portraying episodes from the ''Iliad,'' including two circular ones on the Shield of Achilles. Another six panels depict the sack of Ilium. On the reverse of the Borgia Tabula is a list of titles and authors of epic works, with stichometry, a listing of the number of lines in each epic; though these have occasioned great interest, W. McLeod demonstrated that, far from representing the tradition of Hellenistic scholarship, in every case where facts can be checked with the accepted canon, the compiler of the Borgia Table errs, citing an otherwise unattested ''Danaides'', ascribing a new poem to Arctinus. McLeod suggests literary fakery designed to impress the nouveaux-riches as embodied by the fictional character Trimalchio, who is convinced that Troy was taken by Hannibal; Nicholas Horsfall〔Horsfall, "Stesichorus at Bovillae?", ''Journal of Hellenic Studies'' 99 (1997:26-48) especially pp 33-35; McLeod 1985: 163-65〕 finds the "combination of error and erudition" designed to impress just such eager newly educated consumers of culture with showy but spurious proofs of their erudition: "The Borgia Table is a pretense of literacy for the unlettered," is McLeod's conclusion.〔McLeod 1985:165.〕 Michael Squire, in "The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae" (Oxford; New York: Oxford University Press, 2011), reviewed in "BMCR" 〔"BMCR" 2013.02.32: http://bmcr.brynmawr.edu/2013/2013-02-32.html〕 sees in them a more sophisticated product.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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